'The show relies on strong performances by its cast who bring out each character’s distinct neuroticism and eccentricities. Alastair Coughlan’s portrayal of a dedicated (in other words: full of himself) actor on the brink of a mental breakdown is deeply funny. He wrings out the text’s clever nods to the world of drama schools, acting auditions and insufferable public personalities. His energy and grip on the character is sustained throughout, capturing the internal shift in emotions and intention as he grapples with the situation that unfolds.' 'One thing this play does extremely well is showcase the skills of lead actor Alastair Coughlan. His portrayal of egotistical kidnapped actor Thomas Reynolds dominates the performance and energises moments where the script lacks pace. He runs through his talents like a personalised showreel , most impressively being his brief piece on the violin.'

'During this third lockdown we had the good fortune of seeing a streamed production of Peter Morris’ play 'The Age of Consent', directed, co-produced and performed by the
talented Alastair Coughlan... Alastair describes the experience of creating a production during lockdown and founding ‘Penny Bank Productions’.'

'Two stalwarts of Helmsley Arts Centre have produced a live play despite the challenges of the coronavirus pandemic.'